Not only in language does the symbol exist as an information-packed means of visual communication, universal in meaning. It is used broadly. The symbol must be simple and refer to a group, an idea, a business, an institution, or a political party. Sometimes it is abstracted from nature. It is even more effective for the transmission of information if it is a totally abstract figure. In this form it becomes a code that serves as an adjunct to written language. The code system of numbers provides examples of figures which are also abstract concepts.
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The symbol is anything from a simplified picture to a highly complex system of attached meaning like language or numbers. In all its formulations it can reinforce message and meaning in visual communication many ways. In print, it is a large and important component of the total character of the book, a magazine, or a poster, and must be dealt with in the forming of a design as abstract visual data, despite the fact that it is information with its own integrity and form. For the designer it is an interactive force which must be dealt with in terms of meaning and visual appearance.
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